Commercial recording - These recordings are professionally made studio recordings. Up until the 1950's, they were recorded as 78-rpm record sides, fitting up to ca. 5 minutes of music each. Each side had to be recorded in one continuous take and no editing was possible. Sometimes this necessitated multiple takes to achieve a satisfactory result - though many of Cortot's recordings were successfully made in 1-2 takes per side.

Personnel

Take Info

MatrixTakeDateLocationWork/Movement/SectionStatusTechnologyTypeNote
0B 86711931-05-12Studio C, Queen's Small Hall, LondonElectricalCommercial
0B 86831931-05-12Studio C, Queen's Small Hall, LondonElectricalCommercial
0B 86921931-05-12Studio C, Queen's Small Hall, LondonElectricalCommercial
0B 87011931-05-12Studio C, Queen's Small Hall, LondonElectricalCommercial
0B 87121931-05-12Studio C, Queen's Small Hall, LondonElectricalCommercial
0B 87221931-05-12Studio C, Queen's Small Hall, LondonElectricalCommercial
0B 87311931-05-12Studio C, Queen's Small Hall, LondonElectricalCommercial
0G 98511931-07-02ParisElectricalCommercial
0B 87531931-05-13Studio C, Queen's Small Hall, LondonElectricalCommercial
CF 332831930-06-02Salle Chopin, ParisElectricalCommercial
2B 87711931-05-13Studio C, Queen's Small Hall, LondonElectricalCommercial
0B 87831931-05-13Studio C, Queen's Small Hall, LondonElectricalCommercial

Releases

Sources

  • Bolig, J. R. & Milmo, J. (2020). His Master’s Voice Celebrity Series Recordings and Historical Reissues, 1924‐1958. UC Santa Barbara Library
  • Kelly, A. (1998). 0B/2B. Matrix Series prefixed 0B / 2B
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