Commercial recording - These recordings are professionally made studio recordings. Up until the 1950's, they were recorded as 78-rpm record sides, fitting up to ca. 5 minutes of music each. Each side had to be recorded in one continuous take and no editing was possible. Sometimes this necessitated multiple takes to achieve a satisfactory result - though many of Cortot's recordings were successfully made in 1-2 takes per side.

Personnel

Take Info

MatrixTakeDateLocationWork/Movement/SectionStatusTechnologyTypeNote
Cc 1475911928-11-18Studio C, Queen's Small Hall, LondonElectricalCommercial
Cc 147601A1928-11-18Studio C, Queen's Small Hall, LondonElectricalCommercial
Cc 147612A1928-11-18Studio C, Queen's Small Hall, LondonElectricalCommercial
Cc 147622A1928-11-18Studio C, Queen's Small Hall, LondonElectricalCommercial
Cc 147631A1928-11-19Studio C, Queen's Small Hall, LondonElectricalCommercial
Cc 147643A1928-11-19Studio C, Queen's Small Hall, LondonElectricalCommercial
Cc 147651A1928-11-19Studio C, Queen's Small Hall, LondonElectricalCommercial
Cc 1476621928-11-19Studio C, Queen's Small Hall, LondonElectricalCommercial
Cc 1476721928-11-19Studio C, Queen's Small Hall, LondonElectricalCommercial
Cc 147685A1928-12-03Studio C, Queen's Small Hall, LondonElectricalCommercial

Releases

Sources

  • Bolig, J. R. & Milmo, J. (2020). His Master’s Voice Celebrity Series Recordings and Historical Reissues, 1924‐1958. UC Santa Barbara Library
  • Kelly, A. (2000). Bb / Cc. Matrix Series prefixed Bb/Cc.

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