Commercial recording - These recordings are professionally made studio recordings. Up until the 1950's, they were recorded as 78-rpm record sides, fitting up to ca. 5 minutes of music each. Each side had to be recorded in one continuous take and no editing was possible. Sometimes this necessitated multiple takes to achieve a satisfactory result - though many of Cortot's recordings were successfully made in 1-2 takes per side.

Take Info

MatrixTakeDateLocationWork/Movement/SectionStatusTechnologyTypeNote
2B 682121934-03-12EMI Abbey Road Studio No. 1, LondonElectricalCommercial
2B 68221A1934-03-12EMI Abbey Road Studio No. 1, LondonElectricalCommercial
2B 682311934-03-12EMI Abbey Road Studio No. 1, LondonElectricalCommercial
2B 682421934-03-12EMI Abbey Road Studio No. 1, LondonElectricalCommercial
2B 682531934-03-13EMI Abbey Road Studio No. 1, LondonElectricalCommercial
2B 682621934-03-12EMI Abbey Road Studio No. 1, LondonElectricalCommercial
2B 682711934-03-12EMI Abbey Road Studio No. 1, LondonElectricalCommercial
2B 682821934-03-12EMI Abbey Road Studio No. 1, LondonElectricalCommercial

Releases

Sources

  • Bolig, J. R. & Milmo, J. (2020). His Master’s Voice Celebrity Series Recordings and Historical Reissues, 1924‐1958. UC Santa Barbara Library
  • Unknown author. (2000). [Liner notes]. In 8.110612 CHOPIN / SCHUMANN: Piano Concertos (Cortot) (1934-1935) [CD]. HNH International Ltd.

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