Commercial recording - These recordings are professionally made studio recordings. Up until the 1950's, they were recorded as 78-rpm record sides, fitting up to ca. 5 minutes of music each. Each side had to be recorded in one continuous take and no editing was possible. Sometimes this necessitated multiple takes to achieve a satisfactory result - though many of Cortot's recordings were successfully made in 1-2 takes per side.

Personnel

Take Info

MatrixTakeDateLocationWork/Movement/SectionStatusTechnologyTypeNote
Cc 1544011928-12-11Studio C, Queen's Small Hall, LondonElectricalCommercial
CR 20641A1928-06-05Kingsway Hall, LondonElectricalCommercialTransferred (probably via telephone line) from Kingsway Hall to Studio D, Queen's Small Hall
CR 206511928-06-05Kingsway Hall, LondonElectricalCommercialTransferred (probably via telephone line) from Kingsway Hall to Studio D, Queen's Small Hall

Releases

Sources

  • Bolig, J. R. & Milmo, J. (2020). His Master’s Voice Celebrity Series Recordings and Historical Reissues, 1924‐1958. UC Santa Barbara Library
  • Unknown author (2006). [Liner notes]. In CHOPIN: Piano Sonatas No. 2 and 3 / Polonaises (Cortot, 78 rpm Recordings, Vol. 4) (1923-1947) [CD]. Naxos Rights International Ltd.

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